Making Trouble

The Return of the Red Hot Mama

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I was thrilled to see the full page spread in today's New York Times about Sophie Tucker and the release of a new anthology of her early work. One of the subjects of our documentary about Jewish women comedians, Making Trouble, she's a big favorite around the Jewish Women's Archive.

Joan Rivers - the spitfire of her own roast!

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Last night comedians including Carl Reiner, Gilbert Gottfried, Greg Giraldo, Jeffrey Ross, and Mario Cantone roasted Joan Rivers on Comedy Central. As she predicted in the clip below, it was a circus of pot-shots about her age, her plastic surgery, and her vagina.

Comedy, Cultural Memory & Legacy

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In a recent session of my comedy class for Jewish high schoolers, I instructed the students to re-do a scene in the style of the "Tonight Show with Johnny Carson." I might as well have said "gee willakers" and put on my newsies cap.

Joan Rivers as Yoda

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I've always had a soft spot for Joan Rivers. Once, as a student at Barnard, (BC '98), Rivers's Alma Mater, I was highlighted by a Barnard publication for my work as a comedian, and was noted to be "the next Joan Rivers." Erroneously, this allowed me to believe that we were secret best friends, and that if ever I was to meet Joan -I would say "Hello, I am the next You; we are best friends, yes?"  Also erroneous is the claim itself - there is no "Next Joan Rivers" - she is irreplaceable  (nor do I come close).

Funny Fanny's Ziegfield Debut

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Ah, Fanny Brice. The name alone evokes the image of a Jewish woman on-stage in glamorous costume, making fun of herself. Well, that and, of course, Barbra Streisand singing “People.” This week marks the 98th anniversary of Ms. Brice’s iconic debut in Ziegfield’s Follies as “Sadie Salome,” her breakthrough role.

Making Trouble in Boston

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Yesterday I finally got to see Making Trouble, the film produced by the Jewish Women's Archive, on the big screen. After sold-out shows at film festivals around the country (plus Jerusalem!), Making Trouble made its Boston premiere as part of the Boston Jewish Film Festival. Though I've seen the film several times, and in various versions, it was exciting to see it in a theater, with a big audience.

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