As a new crop of college graduates ponder their uncertain futures and decide whether to go directly to work (if they can find work in this uncertain economy) or bum around for a while in search of inspiration, I thought it would be fun to find out what passed for "backpacking through Europe" in the turn-of-the-20th-century world of The American Jewess.
I have a love/hate relationship with memoirs. I start them with a healthy appetite for the juicy details of the author's life, but about halfway through, I develop a sudden distaste and a mounting sense of outrage: who does this person think s/he IS? Such arrogance, to assume that I would care about all these details!
So the thing about getting married is that your precious bookshelf space, which you had reserved for brilliant novels written by brilliant writers, gets quickly engulfed by an ocean of cookbooks, which your mothers, aunts, and family friends are sure you'll just love.
Jewesses With Attitude recently reconnected with Rivka Solomon, the founder and visionary of That Takes Ovaries (TTO) and recipient of the Jewish Women's Archive's Women Who Daredaward. TTO takes many forms -- it's a book, an open mike movement, a play, and an organizing tool for women's and girls' empowerment. Most TTO events benefit women's and girls' causes -- women's shelters, Planned Parenthood, groups working to end human rights abuses around the globe, Amnesty International, and more.
A regular column in The American Jewess, "The Woman Who Talks" (a more politically correct way to say The Yenta?) was a place "for the ventilation of all subjects pertaining to woman: social, domestic, religious, literary, political, philanthropic, and so on-ad infinituz," according to its first installment.