Earlier this week, Family Guy aired an episode called "Family Goy" in which Lois (the mother) discovers her Jewish roots. As a self-proclaimed pop culture critic I feel like I should say something about this but honestly, what's to say? It's getting a lot of attention, as you might expect when a show known for offensive humor takes on the Jews. But the reality is that this is nothing new. If anything, it confirms the fact that Jewiness has gone mainstream.
If you haven't read it already, check out this excellent NYT interview with Supreme Court Justice Ruth Bader Ginsburg -- a JWA hero -- by Emily Bazelon (a senior editor at Slate, a founder of their new online women's magazine, Double X, and a serious Jewess with Attitude in her own right).
A few weeks ago, MyJewishLearning.com released "How Jews Look", a four-and-a-half minute film profiling a few Jews reflecting upon their own appearances in connection with their Jewish identities. A lively and somewhat heated conversation about "How Jews Look" emerged on Jewschool.
This past weekend I saw a documentary film called Who Does She Think She Is?. The film profiles five female artists who are also mothers, as well as several commentators including Tiffany Shlain, creator of The Tribe, and Courtney Martin author of Perfect Girls, Starving Daughters and contributor to Feministing.com.
In addition to tracking the obvious race in tomorrow’s election, here at the Jewish Women’s Archive, we’ll also be keeping our eyes on two congressional races in which Jewish women are vying for seats in the House of Representatives.
I recently attended a Yiddish culture conference where participants were required to wear nametags printed with their full names. Thus displayed, my conspicuously Puerto Rican name provoked endless fascination and scrutiny. One day I was asked to identify my ethnicity five times -- before the end of breakfast.
A woman riding a bicycle in full Victorian dress doesn't freely associate with being Jewish ...except in the case of Annie Cohen Kopchovsky (who adopted the decidedly less ethnic name of "Annie Londonderry"). In courageous, chutzpah-like ways, Annie -- a Jewish immigrant living in Boston in June 1894 -- shattered the social conventions of her time.
My friends and I often talk about how our religious and activist identities interconnect when, at times, they seem to be at odds. I've been thinking about this while reading some of the essays in a provocative new anthology entitled Righteous Indignation: A Jewish Call for Justice.
On Tuesday evening, I attended a reading (co-sponsored by the Jewish Women’s Archive) by scholar/writer/activist Melanie Kaye/Kantrowitz from her new book The Colors of Jews: Racial Politics and Radical Diasporism. There’s a lot in this book—too much to discuss in one blog entry. In sum, it examines historical and contemporary views on Jews and whiteness and the complexities of African/Jewish relations.
If the doll industry is any measure of today’s commodified standard of beauty, assimilation is out and multi-ethnic is in. Forty-eight years have passed since Barbie came to represent the ultimate American fantasy: a leggy, blonde-haired, teeny-waisted preeminence of elegance, with a flamingo pink sports car and Ken by her side. Despite Mattel’s attempts to recreate and diversify Barbie’s identity to reflect social trends and more eclectic “girl” activities, Barbie has had trouble keeping up with the times, even if she does wear a tallit.