Summer? Summer is the time that you eat sticky popsicles, ride your bike to the beach, and watch fireworks, right? Oh wait, I think summer is the time that you have to plan six months in advance to find a single weekend that you can go away with your friends because everyone is off traveling. Yes, even this year, with gas prices sky-high. And we are not without good company. Jewish women have made it their business to see the world for hundreds of years.
Since leaving my 5th floor walkup apartment building and graduating to a home with enough space for a bicycle, I have been a woman obsessed.Riding my bike is faster, cleaner, and way more fun than riding the subway or the bus.Apparently, I am not the first Jewish woman in Boston to feel this way.
As a new crop of college graduates ponder their uncertain futures and decide whether to go directly to work (if they can find work in this uncertain economy) or bum around for a while in search of inspiration, I thought it would be fun to find out what passed for "backpacking through Europe" in the turn-of-the-20th-century world of The American Jewess.
Ah, Fanny Brice.The name alone evokes the image of a Jewish woman on-stage in glamorous costume, making fun of herself.Well, that and, of course, Barbra Streisand singing “People.”This week marks the 98th anniversary of Ms. Brice’s iconic debut in Ziegfield’s Follies as “Sadie Salome,” her breakthrough role.
A regular column in The American Jewess, "The Woman Who Talks" (a more politically correct way to say The Yenta?) was a place "for the ventilation of all subjects pertaining to woman: social, domestic, religious, literary, political, philanthropic, and so on-ad infinituz," according to its first installment.
What connects the Statue of Liberty with Emma Lazarus? Susan Sontag with Gilda Radner? Patriotism with labor protests? Musical theatre and domestic ritual with potato kugel and halvah? You guessed it: JEWISH AMERICAN HERITAGE!
by Rebecca Honig Friedman. Cross-posted on the Jewess blog.
Some of the articles we're finding in our look at The American Jewess archives seem surprisingly contemporary (19th century language aside), yet a closer look reveals the more subtle points of contrast between how we approach particular issues now vs. then.