Jewish designers are a staple on the fashion scene – famous names like Zac Posen, Isaac Mizrahi, Max Azria, Kenneth Cole, Donna Karan, Calvin Klein, Michael Kors, Diane Von Furstenberg, Ralph Lauren are all members of the tribe. A few years ago, Slate even published a story called “The Rise of Schmatte Chic”, which chronicled the fleeting trend of Orthodox Jewish influence in runway fashion.
This month, Gloria Feldt's No Excuses: 9 Ways Women Can Change How We Think About Power hit book stores. A best-selling author, speaker and commentator on women, feminism, politics and leadership, Gloria Feldt is the former President of Planned Parenthood and currently on the Board of the Jewish Women's Archive.
Barbie was created in 1959 by Jewish business woman Ruth Handler. She was an Amazonian creation: a blonde-haired, blue-eyed, big-busted American beauty. She loved to drive pink convertibles; her wardrobe and shape-shifting abilities were astonishing. By the 80s, she was highly multicultural and had an endless variety of career paths open to her, from model to mad professor. Nothing is off-limits to ever trail-blazing Barbie, not even tefillin or a burqa.
Last Sunday, after a totaled car and a summarily canceled day-trip to Ipswich, MA, my friend and I decided to make the best of things and not let a little thing like a car accident ruin our day. What better activity than seeing a German Expressionist film about robots, class struggle, and compassion? Alas, while there are many great things one can say about the film, I was angered by the predictably dualistic depiction of women, a theme as old as Lilith and Eve.
Recenytly, Ruth Rosen wrote in the Ms. Magazine blog that the "women's pages" of the 1950s and 60s have been reincarnated on the internet. While she acknowledges the differences in content between those women's pages (society, cooking, and fashion) and today's "women's pages" (analytical coverage of events, trends or stories overlooked by mainstream news), she argues that the designation of separate women's sections keeps us tied to the assumption that women's stories don't belong on the front page.