Full disclosure: I kind of wish I had written this book. Over the years, as I’ve read basically every history or memoir of the women’s movement, I’ve often thought that I’d like to write a popular account, one that would capture the passion and power of the second wave for the next generation, and also convey the relationship of the third wave to its predecessors.
I was 14 when the movie Dirty Dancing came out, and I was utterly entranced. I loved watching the frizzy-haired Jewish girl not only prove her sexiness and get the guy but also change the people around her. At the time, I didn’t think much about the Jewish subtext of the movie – I just knew that it felt familiar and relevant in some way.
Confession: I am a progressive Jewish feminist with a strong aversion to wearing a kippah. I often parade around town wearing men's cargo shorts, I sport short-and-spiky fauxhawk-ish hair, and can feel at home in a tie and blazer over baggy khakis. I usually wear a tallit when I pray. But wearing a kippah in synagogue makes me feel shockingly unfeminine and terribly self-conscious.
I recently returned from the National Women’s Studies Association conference, an annual event that brings together scholars, administrators, writers, students, and activists. I’ve been going to this conference for a few years now, and I always enjoy it. I consider myself an “escaped academic” of sorts (i.e., someone with a PhD who has chosen not to work in the academic system), and most academic conferences either bore me or give me the heebie jeebies, but NWSA is the one that fires me up.
Today is the Boston Marathon, the oldest annual 26-miler; the "granddaddy" of road races. In just a few hours, hundreds of bodies will whiz through the city, pounding the pavement right outside my window. Without feeling side cramps, pulled hamstrings, or the throbbing of achy joints, the marathon is, from a spectator's vantage point (and perhaps from an ecstatically adrenaline-jacked runner's standpoint, too), a rather exhilarating, life-affirming, freeing experience. And yet, the opportunity to feel such freedom and exhilaration wasn't always afforded to everyone.
Today is Ta’anit Esther (the Fast of Esther), a minor Fast day commemorating the three day fast observed by the Jewish people in the story of Purim. Ta’anit Esther is the only time in the Jewish calendar that wholly commemorates the power of a single woman to exercise courage in changing the course of Jewish history.
As a former tennis player and tennis team captain (and more importantly, as a feminist), I was happy to learn that Wimbledon, the oldest and perhaps most prestigious event in the sport of tennis, has finally decided to award equal prize-money to men and women. Ending an unequal pay policy that dates back 123 years, this decision is certainly something to celebrate, though it seems like a no-brainer. It’s high time that male and female athletes get equal pay, right?
As a student at a women’s college, walking into a library adorned with portraits of women didn’t feel refreshing or exceptional so much as it felt expected. But all those portraits of past presidents tended to make me forget that walls like this aren’t all that common. In truth, many institutions don’t even have one woman showcased.
Last week, after Jewish writer Tillie Olsen died at the age of 94, I picked up a copy of Tell Me A Riddle, her first collection of short stories published in 1961. Last night I re-read “I Stand Here Ironing,” a story that recounts a poor working woman’s ambivalence about her parenting skills and about her eldest daughter’s future during the Great Depression.