The work of the historian is to not only tell a story, but to tell it in a way that makes it real, vivid, alive, and human for the receiver. I learned this on Monday when I had the privilege of attending the Matrix Awards and hearing Doris Kearns-Goodwin’s acceptance speech. This wisdom instantly struck a chord because it describes exactly why I write and what I want to do with my writing.
Guggenheim Fellowship recipient and writer of fiction about women, strip poles and sexual guilt, Mary Gaitskill read a story at Franklin Park bar in Brooklyn on April 12 in which cuckolded political wives Silda Spitzer and Elizabeth Edwards become the Eves to Ashley Dupré’s and Rielle Hunter’s Liliths, and in doing so they take a muted sort of revenge by way of compulsory pedicures in Queens.
You may have noticed a few new voices on Jewesses with Attitude. Meet Shira Engel, one of our newest guestbloggers!
Hi! I’m Shira Engel and I started guest-posting on Jewesses with Attitude a few weeks ago and I am so thrilled to access all sorts of Jewish women – feminist, young, old, savvy – through this innovative medium.
When a people have been around as long as the Jews, they have to be pretty good at renewing and re-imagining traditions in ways that feel authentic and also relevant. How else can rituals, practices, and beliefs survive the changes of time and place? It's a fine balance that is nicely captured in the term "old-new"--used, for example, in Theodore Herzl's Zionist novel about the "Old-New Land."
Abby Wisse Schachter, associate editor at the New York Post, recently published an article in Commentary Magazine that suggests that feminist thinking has changed the meaning of Purim, and that that is a bad thing. I have not read the piece because the article is only available to subscribers, and therefore I cannot evaluate the merit of Schachter’s individual arguments. Still, I reject the idea that a feminist interpretation of the Purim story “lionizes the wrong woman, promotes a false political message of nonviolence and tolerance, and worst of all embraces failure instead of promoting perhaps the greatest of Jewish heroines,” as Schachter argues in her abstract.