Just last week, your grandmother was at Dr. Finklestein's office for her regular teeth cleaning and Sarah, the dental hygenist, told her all about her nephew who just met the nicest Jewish girl on JDate. Can you believe it? JDate! You know, you should really try JDate. You're not getting any younger, you know.
This weekend, two movies starring two of Hollywood's most famous Jewesses are opening. One is the glitzy explosion of Sex and the City 2 (SATC2) starring Sarah Jessica Parker and the other is the relatively quiet premiere of Agora, starring Rachel Weisz.
As I embark on my final days of high school, I am working feverishly hard (well, let’s face it – senioritis makes me say I’m going to do so) on my senior project. My project, a collection of interviews with New York Jewish women on the intersection of Judaism and feminism (how appropriate!), is an exploration of how personal identity can be shaped by external forces/movements.
The work of the historian is to not only tell a story, but to tell it in a way that makes it real, vivid, alive, and human for the receiver. I learned this on Monday when I had the privilege of attending the Matrix Awards and hearing Doris Kearns-Goodwin’s acceptance speech. This wisdom instantly struck a chord because it describes exactly why I write and what I want to do with my writing.
Guggenheim Fellowship recipient and writer of fiction about women, strip poles and sexual guilt, Mary Gaitskill read a story at Franklin Park bar in Brooklyn on April 12 in which cuckolded political wives Silda Spitzer and Elizabeth Edwards become the Eves to Ashley Dupré’s and Rielle Hunter’s Liliths, and in doing so they take a muted sort of revenge by way of compulsory pedicures in Queens.