Velda Shaby is a seasoned software architect with years of experience developing websites as well as creating and evaluating strategies to provide digital solutions to the business community. Her previous experience includes 30+ years working with cutting-edge technology at Digital and Fidelity Investments. She has also devoted her energies to several Jewish communities in the Boston area and draws on these various experiences along with her passion for people and Jewish causes to focus on strategies for JWA's online presence. Velda has a BS in physics and an MS in math and teaches at Northeastern University’s Digital Media Department.
I recently experienced the multi-media performance The Sarajevo Haggadah: Music of the Book composed by the Bosnian-born Merima Kljuco, which expressed freedom at so many different levels and with such fervent passion. History was recast through a dialogue of accordion and piano, synchronized with artistic renditions of corresponding historical events. The 12 movements started with the creation of the Haggadah just before the expulsion of the Jews from Spain in 1492, to Venice in 1609 where Jews were confined to the ghetto, to Sarajevo in 1941 where Hitler’s goal was to establish a “museum of an extinct race” and a Muslim imam hid the book until the war was over, through the siege of Sarajevo in 1992, finally ending with the Mother’s Benediction in Ladino when the Haggadah ends up back home.
When it comes to women’s religious expression, what is it that drives men to such distraction that they throw chairs, hurl insults, and resort to other forms of violence? Are we as women allowed to push the boundaries only so far?
On Sunday night, I went to hear Anat Hoffman—chairwoman of Women of the Wall and Executive Director of the Israel Religious Action Center, the legal and advocacy arm of the Reform Movement in Israel—speak at Brandeis University’s Hadassah-Brandeis Institute.