Lisa Batya Feld
Lisa Batya Feld has edited a wide range of websites and academic journals. She is excited to bring her deep sense of curiosity and love of language to her role as web content editor for the Jewish Women's Archive. She holds a BA in medieval studies from Bard College and an MFA in creative writing from Colorado State University. She is also a novelist, drawing her inspiration from history and folklore, stories of what was, what might have been, and what might yet be.
As we enter an election cycle that promises to be intense and potentially groundbreaking, the Jewish Women’s Archive is looking to collect your stories about elections. Some possible topics you might explore include:
In my job as staff writer for the Jewish Women’s Archive, I write short profiles about historical and living women. Each one is fascinating—and each presents its own challenges. Are there reliable sources I can use, or do I have to sift through puff pieces? If the only information I can find about someone is a résumé, how do I create some sort of throughline that turns those bullet points into a human story? And hardest of all, if each profile is just 200 words, how do I decide what to include and what to cut?
This has been a lousy week for feminists of all ages. The longstanding tensions between second- and third-wave feminists have been boiling over as the old guard claims that younger women mistakenly think feminism is a thing of the past, that we’re distracted by other causes, that we don’t understand the importance of having the first woman president.
As the news is flooded with reports of refugees fleeing Syria, we have found ourselves remembering a very different Syrian refugee crisis: the mass exodus of persecuted Jews from that country from the 1970s through 2001. I recently spoke with Judy Feld Carr, who arranged 3,228 of those rescues by forging passports, bribing officials, and arranging for individuals and families to be smuggled across the border. What’s amazing about her story is that Judy wasn’t a Special Forces commando or a human rights lawyer; she had no background in this type of work.
Alice Hoffman bases her story around Rachel, the mother of impressionist painter Camille Pissarro, and her scandalous marriage to the nephew of her dead husband, a love that caused their expulsion from the Jewish community of St. Thomas.
The Jewish Women’s Archive and the Jewish Women’s Foundation of New York are joining together to honor JWFNY’s fourteen Isha Koach honorees for this year. Each of these social entrepreneurs were shaped by experiences where abstract social or environmental problems suddenly became very concrete.
Susan Hess first came to New Orleans as a young bride in 1965, three days before Hurricane Betsy, and she remembered the one good thing about that storm was that it cemented her identity as a New Orleans insider in a way that would have taken decades otherwise.
For the tenth anniversary of Hurricane Katrina, JWA created an exhibit to highlight the stories of evacuees and survivors of the storm, based on interviews we had recorded shortly after Katrina. I listened to stories of heartbreaking losses, narrow escapes, and rare moments of unexpected humor.
Yelena Akhtiorskaya's debut novel, Panic in a Suitcase, has brought her a whirlwind of accolades, including a spot on the National Book Foundation's "5 Under 35" list. As JWA features her as part of a Power Couple for her unique take on the immigrant experience, our Web Content Editor, Lisa Feld, asked her about her writing, her new-found fame, and returning to Odessa decades after her family's exodus.
How to cite this page
Jewish Women's Archive. "Lisa Batya Feld." (Viewed on May 25, 2016) <http://jwa.org/blog/author/lisa-batya-feld>.