Today I'm celebrating the 35th birthday of one of my favorite childhood albums, "Free to Be You and Me." I've always loved this collection of songs and stories that envision a non-sexist world. As a young adult, I was proud to learn that Jewish feminist Letty Cottin Pogrebin was the editorial consultant for the album, book, and tv special (and the author of "Stories for Free Children" which I also loved). Lately I've had the happy opportunity to appreciate "Free to Be You and Me" a second time around, now as a mom. It's fun to hear the voices of Marlo Thomas, Diana Ross, Harry Belafonte, Alan Alda, and Mel Brooks - it's like visiting with old friends.
Yesterday I finally got to see Making Trouble, the film produced by the Jewish Women's Archive, on the big screen. After sold-out shows at film festivals around the country (plus Jerusalem!), Making Trouble made its Boston premiere as part of the Boston Jewish Film Festival. Though I've seen the film several times, and in various versions, it was exciting to see it in a theater, with a big audience.
Last week, Newsweek ran an article titled From Barricades to Blogs, asking about the state of feminism in the 21st century. The article treads familiar (to my mind, tired) ground, questioning whether young women are taking up the torch of feminism, or whether they (we) are letting the flame die.
I’ve never met Lorraine Rothman, a women’s health activist and inventor of the Del’Em menstrual extraction kit. But I came to know her work through my dissertation research, and so I was deeply saddened to hear that she is dying.
As we prepare to herald the new year and celebrate the creation of the world, I thought I’d call your attention to JWA’s new edition of our educational resource, Go & Learn. This edition focuses on the midrashic figure of Lilith -- the first woman, imagined by the rabbis as a demon -- and Judith Plaskow’s early feminist reclaiming of her as a woman who demanded equality.
Two years ago today, Hurricane Katrina ravaged New Orleans and the Gulf Coast, causing a massive dislocation of residents of all races and socio-economic levels. It also devastated a Jewish community that had been nearly 250 years in the making.
Full disclosure: I kind of wish I had written this book. Over the years, as I’ve read basically every history or memoir of the women’s movement, I’ve often thought that I’d like to write a popular account, one that would capture the passion and power of the second wave for the next generation, and also convey the relationship of the third wave to its predecessors.
Grace Paley died on Wednesday. She was 84 and had been sick, so it should not have come as a surprise, but when I heard the news I felt a very sharp sense of loss. So I decided I would spend the night with her, reading through my well-worn copy of her Collected Stories, her poems in Begin Again: Collected Poems, and her essays in Just as I Thought. And reading her words made it even harder to believe she’s gone – her stories just radiate life, in all its banality, warmth, irrationality, sadness, and love.
I was 14 when the movie Dirty Dancing came out, and I was utterly entranced. I loved watching the frizzy-haired Jewish girl not only prove her sexiness and get the guy but also change the people around her. At the time, I didn’t think much about the Jewish subtext of the movie – I just knew that it felt familiar and relevant in some way.
An article in this week's Forward describes the growing opposition to circumcision among American Jews, and the development of “bris-less” bris rituals. Although circumcision is generally considered a pretty elemental aspect of Jewish practice and identity for males, this story certainly wasn’t surprising to me. I’ve had many debates with Jewish friends about this issue, and struggled with the decision of whether to circumcise my son (we did, and I cried through the whole thing).
How to cite this page
Jewish Women's Archive. " Judith Rosenbaum ." (Viewed on February 11, 2016) <http://jwa.org/blog/author/judith-rosenbaum>.