Art & Lit

This weekend, two movies starring two of Hollywood's most famous Jewesses are opening. One is the glitzy explosion of Sex and the City 2 (SATC2) starring Sarah Jessica Parker and the other is the relatively quiet premiere of Agora, starring Rachel Weisz.

I am an actress, currently rehearsing a one-woman show at the Nora Theatre in Cambridge, MA.  I play Ann Landers, a.k.a. Eppie Lederer. The title of the show is The Lady With All the Answers.

Last Friday I went to a sold-out book reading in Coolidge Corner. Sarah Silverman, probably the most (in)famous Jewish woman comedian today, was reading from her new memoir, The Bedwetter: Stories of Courage, Redemption, and Pee. Since she is without a doubt a "Jewess with attitude," I thought it was important that I be there.

Guggenheim Fellowship recipient and writer of fiction about women, strip poles and sexual guilt, Mary Gaitskill read a story at Franklin Park bar in Brooklyn on April 12 in which cuckolded political wives Silda Spitzer and Elizabeth Edwards become the Eves to Ashley Dupré’s and Rielle Hunter’s Liliths, and in doing so they take a muted sort of revenge by way of compulsory pedicures in Queens.

We have seen our fair share of crime dramas, medical dramas and political dramas. Is it time for a new genre? Abby Phon, Executive Producer and star of Life Without Green, is on a mission to bring environmental issues to primetime. 

I remember precisely where I was in the Glenn G. Bartle library—what part of the stacks, which corner, what bench—when I realized that Lillian Wald and I shared the same birthday, on March 10th.   I was a junior at State University of New York at Binghamton, enrolled in a U.S.

Ninety-nine years ago today, Sophie Tucker, the "last of the red hot mamas," recorded "Some of These Days," which would become one of her signature songs. Sophie Tucker, the iconic Jewish American vaudeville and cinema star, is one of the women featured in Making Trouble, JWA's film about funny Jewish women. 

In The Life of Poetry, Muriel Rukeyser declares, “I wish to say that we will not be saved by poetry.

The following is a piece by Ethan Grossman, a high school student at the Weber School in Atlanta. As part of a project called AdDRESSING Women's Lives, created by Barbara Rosenblit and Sheila Miller, Ethan interviewed Millie Rotter Kinbar and documented her oral history in a multi-media work of art, revealing her character and life experiences through the metaphor of a dress.

Fourteen years after its first performance, The Vagina Monologues has become a February tradition.