Remembering Gerda Lerner: The "Mother" of Women's History

Gerda Lerner, pioneer in women’s history, remarkable public intellectual, and life-long activist, died this week in Wisconsin at the age of 92. A member of JWA’s Academic Advisory Council, she was enthusiastic about our mission of chronicling and transmitting the history of Jewish women. No historian was more identified with the field of women’s history. Receiving her Ph.D. at the age of 46, she wrote a series of groundbreaking books in which she almost singlehandedly created a conceptual framework for the field.

The Indomitable Jewish Ballerina Who Inspired a Timeless Love Song

In 1944, at the height of the worst carnage the world has known, a mother in Budapest, Hungary, put her only son, then seven years old, out on the street with a pillow, a last morsel of bread, and the boy’s baptismal certificate. The mother was Jewish, the son Catholic.

Fifty years later the son, Cesare Frustaci—by that time an American citizen with a family of his own—contributed a video-taped oral history to Yale University and then sent the tape to author Germaine Shames. It told the story of his mother, ballerina Margit Wolf, who was banished from the stage by Mussolini only to inspire a timeless love song and then fade from history without a trace.

What am I doing here?

Hazel Karr first contacted JWA because she wanted to add some biographical details to the article in the online Encyclopedia about her grandmother, Esther Kreitman. We struck up a correspondence with her and suggested she write a blog post about the differences between between her mother's artwork and her own.

Hazel Karr comes from a family steeped in art and literature. Her grandmother Esther wrote journal articles, translations, and novels, including the autobiographical  Der Sheydim Tants (Deborah) in 1946. Esther’s brothers were Issac Bashevis Singer, winner of the Nobel Prize for Literature in 1978, and Israel Joshua Singer, who wrote extensively in Yiddish. Esther’s son Maurice Carr had a long career in journalism in Paris and Israel; his wife was Hazel’s mother Lola; the daughter of another Yiddish writer (A.M. Fuchs), she painted throughout her life.

In this post, Hazel Karr searches for the meaning in her mother's paintings and in her own.

A few more stories for the road

As I prepare to leave my position as JWA’s Director of Public History after more than 12 years here, my mind keeps returning me back to the summer day in 2000 when I first stepped into the offices of the Jewish Women’s Archive. At the time, I was a disgruntled graduate student, disillusioned with life in the Ivory Tower and the academic study of women’s history. (Was a library really the best place to learn about women’s activism, I wondered?).

Braving a Botoxed World: A Mother's Tale

In the recent Disney/Pixar film, Brave, a young princess defies an age-old custom and fights to make her mother understand that she is not ready for marriage. I know you’d rather not think of the Disney princesses at all, but we live and breathe, and shop at Target, so I contend---if forced to choose among that whole pastel-clad, sugary lot, you’d want your daughter to be more independent, courageous Merida, less Cinderella waiting for her prince to come, right?

Holiday Giving

Today is Christmas, perhaps the ultimate holiday for giving, and I am reflecting on the act, ritualization, and commercialization of "giving."

In the past few weeks the media has been abuzz with commentary on the virtue or the silliness of Giving Tuesday. Social media and a consortium of charities pumped up the idea of naming the Tuesday after Black Friday and Cyber Monday “Giving Tuesday,” declaring it the beginning of “The Giving Season.”

Lauren Interviews Lauren

Singer-songwriter-humorist Lauren Mayer reflects on Hanukkah, Christmas, family, growing up a Jew in Orange County and how all this informs her own, artistic process. May you enjoy this in depth interview conducted by… herself.

What inspired you to write “Latkes, Shmatkes”?

Two years ago NPR did a program on Christmas music, and their expert was talking about how secular songs, like “Frosty The Snowman,” became classics, and then he said, “Some songs should never become classics, like this one”— and used an old recording of mine as an example. It was a novelty song I’d written and recorded years ago, “The Fruitcake That Ate New Jersey,” and when I wrote in to ask how they found it, they ended up interviewing me. I joked that now I was part of the great tradition of Jewish songwriters who create Christmas music, and I really should do a Chanukah album. Once I said it, I realized it could be a fun idea.

Sharing stories, inspiring change

Last week, Rabbi Scott Perlo wrote a provocative article in the Washington Post in which he addressed the continuing discomfort that many Jews—even liberal, gender-equity-supporting ones—feel about female rabbis. He suggests that this puzzling phenomenon may be due to the central place nostalgia holds in many people’s feelings about Judaism. It comes as no surprise that this nostalgic vision does not include female rabbis.

May Their Memory Be for a Blessing

On the front page of this morning’s Denver Post a picture of Veronique Pozner, mother of Sandy Hook Elementary School victim Noah Pozner, at Noah’s gravesite at B’nai Israel Cemetery in Monroe, Connecticut, assaults me as I sit down to drink my morning coffee. Veronique stands next to her rabbi, and my eyes are drawn to his kippah. And I’d thought, that perhaps, I was going to be able to start this day without crying.

Wage and Worth

Equal pay for equal work—an all-too familiar demand. Last week the Forward published its annual survey of salaries in Jewish organizations, and yesterday the New York Times published a piece by Jessica Bennett calling on women to ramp up their negotiating skills.

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