With the exception of Yom Kippur, the past few weeks, for many of us in the Jewish community, have been bountifully full of food. I’ve been happily partaking in pumpkin bread/pumpkin muffin production (baking three loaves, and two tins of twelve muffins over the course of two days) and enjoying my friends’ seasonal culinary creations on a chilly evening in their sukkah.
Sukkot is my favorite Jewish holiday. I like a good harvest bounty; I like that I can share meals with friends not in my kitchen; I like that I can eat while meditating on stars peeking through a canopy of colorful paper chains, laquered gourds, and chili pepper lights (which always adorned my family’s sukkah). In preparation for Sukkot (just a few hours away!), I've been thinking about other, more provocative, sukkah decor that might be inside the sukkot in which I eat.
It’s a thrill for me to see artist Joan Snyder listed among this year’s recipients of MacArthur fellowships, the “genius grants” that honor and advance the work of exceptionally creative thinkers and doers. Joan Snyder greets me each morning as I begin work. A copy of her print, “Our Foremothers,” occupies the wall opposite my desk. A collage of names of all the women in the Bible as well as women in her own family, the print is a visual metaphor for our work at the Jewish Women’s Archive.
I’ve never met Lorraine Rothman, a women’s health activist and inventor of the Del’Em menstrual extraction kit. But I came to know her work through my dissertation research, and so I was deeply saddened to hear that she is dying.
With the flowering of autumn Jewish holidays consuming our attention, it’s unlikely that many of us have tuned into September as National Ovarian Cancer Awareness Month. I wasn’t aware of it either until I listened to NPR yesterday for the first time in several days. Ovarian cancer—often called the “silent killer”—seems to garner less attention than breast cancer whose awareness month is assigned to October, awash with pink ribbons, walks, fundraisers, and other benefits.
As we prepare to herald the new year and celebrate the creation of the world, I thought I’d call your attention to JWA’s new edition of our educational resource, Go & Learn. This edition focuses on the midrashic figure of Lilith -- the first woman, imagined by the rabbis as a demon -- and Judith Plaskow’s early feminist reclaiming of her as a woman who demanded equality.
Two years ago today, Hurricane Katrina ravaged New Orleans and the Gulf Coast, causing a massive dislocation of residents of all races and socio-economic levels. It also devastated a Jewish community that had been nearly 250 years in the making.
Full disclosure: I kind of wish I had written this book. Over the years, as I’ve read basically every history or memoir of the women’s movement, I’ve often thought that I’d like to write a popular account, one that would capture the passion and power of the second wave for the next generation, and also convey the relationship of the third wave to its predecessors.
Grace Paley died on Wednesday. She was 84 and had been sick, so it should not have come as a surprise, but when I heard the news I felt a very sharp sense of loss. So I decided I would spend the night with her, reading through my well-worn copy of her Collected Stories, her poems in Begin Again: Collected Poems, and her essays in Just as I Thought. And reading her words made it even harder to believe she’s gone – her stories just radiate life, in all its banality, warmth, irrationality, sadness, and love.
A few weeks ago, I blogged about Community Supported Agriculture programs (CSAs) and the increasing number of Jews making environmental advocacy an ethical priority, or for many, a religious imperative. What I didn’t muse about was how CSAs, organic farming, and food equity programs are appealing to other religious groups and, in many ways, uniting them.