When we were planning this blog in the winter of 2006, we had long conversations about possible names, ultimately choosing to reclaim the word "Jewess" from its exotic and sometimes negative connotations and give it a new life in the blogosphere. Well, it turns out we were at the forefront of a cultural phenomenon! A recent article by Daniel Krieger explores the history of this term and its recent reclamation by young Jewesses. Check it out.
Jewesses With Attitude recently reconnected with Rivka Solomon, the founder and visionary of That Takes Ovaries (TTO) and recipient of the Jewish Women's Archive's Women Who Daredaward. TTO takes many forms -- it's a book, an open mike movement, a play, and an organizing tool for women's and girls' empowerment. Most TTO events benefit women's and girls' causes -- women's shelters, Planned Parenthood, groups working to end human rights abuses around the globe, Amnesty International, and more.
Today is the 60th anniversary of the founding of the State of Israel, and I'd like to mark it not (only) by eating falafel but with something less tangible but ultimately more nourishing: considering stories. Sixty years is only half way to 120 - the mythical age Jews wish upon one another - but this "half life" contains within it so many dreams and visions, loves and losses, hopes and fears, connections and fractures, struggles that remain unresolved.
I recently attended a Yiddish culture conference where participants were required to wear nametags printed with their full names. Thus displayed, my conspicuously Puerto Rican name provoked endless fascination and scrutiny. One day I was asked to identify my ethnicity five times -- before the end of breakfast.
It's unlikely that Emma Goldman predicted her legacy would inspire the name of an activist folk music duo, but perhaps she did. Over the weekend, I had the delight of seeing Emma's Revolution, a "musical uprising of truth and hope from award-winning, activist songwriters" perform with feminist folk music pioneer Holly Near.
A regular column in The American Jewess, "The Woman Who Talks" (a more politically correct way to say The Yenta?) was a place "for the ventilation of all subjects pertaining to woman: social, domestic, religious, literary, political, philanthropic, and so on-ad infinituz," according to its first installment.
What connects the Statue of Liberty with Emma Lazarus? Susan Sontag with Gilda Radner? Patriotism with labor protests? Musical theatre and domestic ritual with potato kugel and halvah? You guessed it: JEWISH AMERICAN HERITAGE!
by Rebecca Honig Friedman. Cross-posted on the Jewess blog.
Some of the articles we're finding in our look at The American Jewess archives seem surprisingly contemporary (19th century language aside), yet a closer look reveals the more subtle points of contrast between how we approach particular issues now vs. then.