A lot has been made of Justin Bieber’s weekend visit to the Anne Frank House and Museum. The teen sensation is known for making headlines, but it’s not often (or ever) that he makes headlines here at the Jewish Women’s Archive. However, try as we might, we couldn’t ignore the Bieb’s belieber baloney.
Sharon Dogar, a British author known for her novels aimed at teenagers, has reimagined the Anne Frank story to include romance with Peter van Pels, and sex. Annexed: The Incredible Story of the Boy Who Loved Anne Frank is told through Peter's diary entries and covers the period in the annex as well as his experience in the concentration camps, which she reportedly told The Sunday Times was the most important part of her book. Important as it may be, an Anne Frank sex scene will undoubtedly be the focus of attention for the novel's release.
Reading about Miep Gies’ death this morning in the New York Times caused me to pause and reflect on the story of this ordinary Dutch woman who selflessly hid Anne Frank’s family and friends over 60 years ago. Anne Frank’s story is one that we’re all more than familiar with, and it bears no repeating here.
Jewish Women International releases its "10 Women to Watch in 5770" list. Mazel Tov! [JWI]
On the Arts:
The Contemporary Jewish Museum in San Francisco will host “As It Is Written: Project 304,805,” a public performance in which 34-year-old scribe Julie Seltzer will spend a year calligraphing a Torah scroll in one of the museum’s galleries. [Tablet]
New York, I Love You opens this Friday, starring Natalie Portman as an ultra-Orthodox woman. Tablet looks over the history of Hasidic characters in film. [Tablet]
Regina Spektor condemns Holocaust deniers in her song, "Ink Stains." [MyJewishLearning]
I logged onto the computer last weekend to see that Anne Frank was a trending topic on Twitter. That was largely thanks to the Anne Frank House in Amsterdam, which released (as the Bintel Blog reported) a new video, showing the only known footage of Anne, leaning out of a window and watching a married couple. It immediately became a hit on YouTube. Seeing such a timelessly tragic figure from another time on such definitively contemporary context — Web 2.0 — had an odd feeling to it. And then of course, Anne got caught in the middle of a bizarre dust-up between David Mamet and the Disney Studio. (Mamet’s re-imagining of the diary onscreen involved a contemporary girl going to Israel to learn about the trauma of suicide bombings) and she is the subject of a new book by Francine Prose.